It is the year 2054. A few decades previously, humans got collectively locked out of the internet and chaos. A few decades later and society was reimagined, with bots (a combination of human DNA and software engineering) living among humans. The main bot of this story is a dentist called Jared who is living a pleasant life until one day when a strange number appears. He realises it is the number of teeth he will see for the remainder of his bot life. He consults his human doctor friend who, after some questions, diagnoses him with depression. Jared thinks this can’t be true because he is a bot and can’t feel things.
Eventually he discovers that his friend was right and sets out to make a difference in his life. The only problem is that if he does that, he will be tracked by the Bureau of Robotics and his memory will be wiped.
He flees across America to Los Angeles where he sets out to write a movie. He also meets a woman who he falls in love with before realising that time is running out for him.
This novel is charming and quirky with a huge depth of feeling that builds as we discover with Jared what it means to be human. As Jared is a bot, he presents to us the inconsistencies and illogical instances that happen as a result of being human, which don’t always mean negative results but can nevertheless be nonsensical.
Set My Heart To Five is published soon and set to be a major motion picture.
Friday, 31 July 2020
Wednesday, 29 July 2020
Review: The Puritan Princess by Miranda Malins
Say the name “Oliver Cromwell” and most people will immediately think of a few choice words or events. Villain, tyrant, ruthless, Ireland. The Pogues even wrote a song about him, hoping he would rot in hell!
As the person who led the Parliamentarians to victory against Charles I, he eventually became Lord Protector of England rather than king. Several long-standing myths about him exist: he banned Christmas, music, art - basically anything fun.
This novel will put paid to a lot of those myths for we find a very different Cromwell.
The Puritan Princess tells the story of the Cromwell from the pov of his daughters. The family see their fortunes change dramatically, from run of the mill gentleman farmer and relatives to the first family in England, living like a royal family in all but name.
I didn’t know much about the interregnum period, but it’s a lot more conflict driven than I thought. The factions and political games are worthy of the Tudors. The court is a lot more lavish than one would have expected given their criticisms of Charles I, and the music and art scene just as dynamic.
I loved the micro and macro dramas in the book, both on the family level and the national level. One section of the book, I won’t say which, had me weeping. Malins has breathed life into this family who are not universally talked about, particularly in school, which seems shortsighted given their significance. It is so well researched and dramatised historical fiction and I would have seriously enjoyed spin offs about each member of the family. Fans of historical fiction will really love this book.
Tuesday, 21 July 2020
Review: The Englishman by David Gilman
Events and conflict on the border of Mali and Algeria connect to a brutal kidnapping in London. A London police officer sends one of his team to track down an elusive ex-French Foreign legionnaire in the middle of nowhere.
All of these events have connections delicate as spider webs, with one man in the middle connecting them. And Dan Raglan needs to find him, fast.
The Englishman is part thriller, part action, part mystery ‘whodunnit’ in equal measures. The action is well-paced, the plot well crafted, and satisfying as a popcorn-page-turner: From deserts in Africa to back-ends of London, to the freezing middle of nowhere Russia, Dan Raglan faces his fears and his foes, never doubting he will succeed but mindful of the cost along the way.
If you’re a fan of Bourne-like action stories, then The Englishman will definitely be worth a read.
All of these events have connections delicate as spider webs, with one man in the middle connecting them. And Dan Raglan needs to find him, fast.
The Englishman is part thriller, part action, part mystery ‘whodunnit’ in equal measures. The action is well-paced, the plot well crafted, and satisfying as a popcorn-page-turner: From deserts in Africa to back-ends of London, to the freezing middle of nowhere Russia, Dan Raglan faces his fears and his foes, never doubting he will succeed but mindful of the cost along the way.
If you’re a fan of Bourne-like action stories, then The Englishman will definitely be worth a read.
Tuesday, 7 July 2020
Review: Playdate by Alex Dahl
"Have you seen Lucia Blix?
Lucia went home from school for a playdate with her new friend Josie. Later that evening, Lucia's mother Elisa dropped her overnight things round and kissed her little girl goodnight. That was the last time she saw her daughter. The next morning, when Lucia's dad arrived to pick her up, the house was empty. No furniture, no family, no Lucia. In Playdate, Alex Dahl puts a microscope on a seemingly average, seemingly happy family plunged into a life-altering situation. Who has taken their daughter, and why?"
I hadn't read a thriller for quite a while, so when I got an invitation to review "Playdate" by Alex Dahl, I jumped at the chance.
Elisa Blix, a married mother of two children, is working as a flight attendant. Busy, stressed, and constantly preoccupied, she nevertheless is reluctant to agree to a playdate between her daughter Lucia and another little girl she's never met before. The mother wins her over - Line is cool, sophisticated, and friendly, and Elisa ultimately decides no harm will be done. The playdate extends to a sleepover, Lucia's first, and Elisa thinks nothing of it.
It's not until she's on a work flight back home the next day that she realises what a terrible mistake she's made.
Playdate hits the ground running and doesn't stop. The narrative is divided between Elisa, Lucia a journalist called Selma, Jacqueline who tries to convince Lucia that she is her real mother, and Marcus, a prisoner doing time for manslaughter. The changes between narrators is slick and skilfully done, each devoting just the right amount of time to fill in a piece of the story without giving too much away. Elisa, particularly, is a well-drawn out character. A loving, devoted mother, but with a flawed past that makes you question that although the reader is rooting for her to get her daughter back, her actions make her much less sympathetic. Jacqueline, too - although she is literally a child abductor, reading about her reasons why makes you question whether she or not she deserves a sliver of sympathy for what happened to her. Elisa's and Jacqueline's stories, after all, are deeply interconnected as we find out towards the end.
It's a fast-paced, carefully and meticulously crafted story, suspense dangling all the way through until a satisfying conclusion that leaves the reader to wonder what will happen to these characters after the close of the novel. Questions are left unanswered that leaves the characters running off with a life of their own. It's not a black-and-white good-and-bad people story, it challenges the reader to question where their sympathies lie.
If you're a fan of novelists like Sophie Hannah, then I urge you to give this novel your time.
Wednesday, 1 July 2020
Review: Girl, Woman, Other by Bernardine Evaristo
This Booker Prize winning novel almost needs no more reviews adding to the hundreds of glowing ones it has received so far, but it is such an incredible piece of work that I couldn't not write about it.
The novel follows twelve women from different walks of life. The first four of the chapters are grouped into three characters, and these three characters are either friends or family. However, the whole cast of characters are linked together in some way, some links being looser than others.
The stories cover a great many things but at the heart of it all is what it means to be a Black woman in the U.K. There are lots of intersections to these experiences - sexuality, gender identity, relationships, immigration status, class, engaging with so called 'meritocracy'. The experiences of the collective span decades, and we see how differently the older ones live than the younger ones according to attitudes of the time.
The novel is almost as much poetry as prose. Not a full stop to be seen anywhere but the prose runs freely and lyrically as if it were balancing the tightrope between conventional sentences and blank verse. The effect glues your eyes to the page, not wanting to be interrupted until the end of a character's story or chapter to understand just what happened, why these women fit together.
Too often in the media, films and TV, Black people are treated as one of two stereotypes: the thug/gangsta, or someone extraordinary. The latter is as much damaging, in my opinion, as the former. It's often said that Black people have to work twice as hard to get half as much as a White person. In all of these cases, what seems to happen is that Black people are seen as Black first, human second, and this doesn't happen with White people. This book celebrates and shines a light on the experience of Black women, in all their humanity and, yes, their Blackness. It is a stunning, invigorating read that challenges us to do away with the stereotypes of Black women and just see their stories in their richness and vibrancy.
The novel follows twelve women from different walks of life. The first four of the chapters are grouped into three characters, and these three characters are either friends or family. However, the whole cast of characters are linked together in some way, some links being looser than others.
The stories cover a great many things but at the heart of it all is what it means to be a Black woman in the U.K. There are lots of intersections to these experiences - sexuality, gender identity, relationships, immigration status, class, engaging with so called 'meritocracy'. The experiences of the collective span decades, and we see how differently the older ones live than the younger ones according to attitudes of the time.
The novel is almost as much poetry as prose. Not a full stop to be seen anywhere but the prose runs freely and lyrically as if it were balancing the tightrope between conventional sentences and blank verse. The effect glues your eyes to the page, not wanting to be interrupted until the end of a character's story or chapter to understand just what happened, why these women fit together.
Too often in the media, films and TV, Black people are treated as one of two stereotypes: the thug/gangsta, or someone extraordinary. The latter is as much damaging, in my opinion, as the former. It's often said that Black people have to work twice as hard to get half as much as a White person. In all of these cases, what seems to happen is that Black people are seen as Black first, human second, and this doesn't happen with White people. This book celebrates and shines a light on the experience of Black women, in all their humanity and, yes, their Blackness. It is a stunning, invigorating read that challenges us to do away with the stereotypes of Black women and just see their stories in their richness and vibrancy.