Special post for World Poetry Day

 inVERSE

poetry.reimagined

 

 

 

 

FIVE OF THE WORLDS OLDEST POEMS REIMAGINED FOR THE 21ST CENTURY 

 

inversefilm.uk | @inversefilm | inversefilms

 

 

For yesterday is but a dream,

And tomorrow is only a vision.

But today, well lived, makes every yesterday a dream of happiness.

And every tomorrow

A vision of hope.

 

Salutation to the Dawn by Kālidāsa (attributed) - India, c.400 CE

 

 

Launching on World Poetry Day on 21st March 2021, inVERSEis a collection of five of the world’s oldest surviving poems re-imagined for the 21st century through the medium of film, by the award-winning film maker Jack Jewers. 

 

Each film takes an ancient poem as a prism through which to explore the world today. With historical poems ranging from the 1st Century Italy to 1500 BCE Mesopotamia, these five shortfilms explore time and the human condition using the language of the ancients and the modern film making techniques of the 21st century. In celebration of humanity’s long relationship withpoetry on World Poetry Day, these five films are a reminder thatin these troubled modern times, poetry still has the ability tosooth and inspire. 

 

Far from being dry, remote echoes of a long-gone age, each poem chosen for the collection feels like it could have been written yesterday. And why shouldn’t they? People are people. Our dreams are nothing new. Our ancestors had the same hopes and fears that we do. And if we can understand this, perhaps it helps to put some of the problems of our modern world into perspective.  

 

The five films being released to mark World Poetry Day on Sunday 21st March are: 

 

• Love Song -  An Egyptian love poem written in 1400 BCE reveals a meditation on the meaning of relationship and gender in 2021. 

• Long Wall - A poem about loss and suffering from the Han Dynasty in China, opens up a conversation about Europe’s refugee crisis. 

• My Heart - Originating from ancient Mesopotamia, “My Heart Flutters Hastily” is a delightful reminder that those giddy, dizzy feelings you can get when you really like somebody are nothing new. 

• The Look - A first century poem taken from Ovid’s Ars Amarosa is reimagined as a celebration of inclusivity and tolerance.

• The Dawn - The ancient Indian poet Kālidāsa’s Salutation to the Dawn transforms into a rallying cry for a better tomorrow led by young street protestors. 

 

All five of the films are available free to watch via the inverse website inversefilm.uk.

 

ABOUT THE FILMS 

 

Love Song

Based on the poem The Flower Song Anon. Egypt, c.1400 BCE. (Abridged).

Watch here: https://inversefilm.uk/watch/love-song

 

A timeless declaration of love and desire, this poem feels as fresh today as it did when it was written – a long, long time ago. The imagery is strikingly sensual; how the narrator describes the sound of their true love’s voice as being like the taste of sweet wine; or wishing they were her very her clothes, so that they could forever be close to her body. It’s passionate, erotic, and quite beautiful

 

 

Production Notes: None of the couples you see in the film had met before they came into the studio on the bright, spring day on which it was filmed – with one exception. The older couple are Alfred and Leila Hoffman, who were 92 and 83 at the time of filming, who have been together for over 60 years. The velvet-voiced narration is provided by Adam Roche, host of the Secret History of Hollywood podcast – required listening for all classic movie fans.

 

 

Long Wall

Based on the poem He Waters His Horse By A Breach in the Long Wall Anon. China, c.120 BCE

Watch here: https://inversefilm.uk/watch/long-wall

 

 

Jack Jewers says: The first time I read this anonymous poem – dating from the Han Dynasty in China, sometime around 120BCE – I was blown away by its age. How can a poem this rich and vivid be so old? The idea for this whole series of films grew from there. The poem conveys such poignant feelings of separation and loss that it seemed to be perfectly suited to a tale of refugees, far from home.

 

Production Notes: The refugee crisis is close to actress Sophia Eleni’s heart. Her mother fled the war in Cyprus in the mid-1970s, Most of the footage that ends the film was donated by the charity Refugee Rescue, who undertake tireless work saving desperate people at sea.

 

 

My Heart

Based on the poem My Heart Flutters Hastily Anon. Mesopotamia, c.1500 BCE

Watch here: https://inversefilm.uk/watch/my-heart

 

Originating from ancient Mesopotamia, “My Heart Flutters Hastily” is a delightful reminder that those giddy, dizzy feelings you can get when you really like somebody are nothing new. Whether it’s in a world of dating apps and socially-distancedlove, or from a time that feels unimaginably distant, people have been falling in love the same way forever.

 

 

Production Notes: inVERSE started life in a world before anyone had ever heard the word ‘Covid’ and lockdown was something to do with home security. So when the world ground to a half in the spring of 2020, Jack had to find alternative ways of finishing the project. Working with Los Angeles-based actress Joanne Chew, Jack devised a method of directing over Zoom while she recorded the takes on her phone, as selfies. The result is the lightest of the five films, and the sweetest.

 

 

The Look 

Based on the poem Take Care With How You Look from Ars Amarosa by Ovid. Italy, 1st Century CE.  (Abridged).

Watch here: https://inversefilm.uk/watch/the-look

 

The Romans knew how to have a good time. The Look is an abridged version of ‘Take Care With How You Look,’ a chapter from Ars Amarosa (“The Art of Love”), by the poet Ovid. Its themes of rejecting false nostalgia about the past, and embracing the richness of the modern age, sounded to me like a celebration of inclusivity and tolerance. Of course, Ovid was writing about a very different age to our own, but the message holds as true today as it always has been. And what more fabulous harbingers this message than Drag Queens United?

 

Production Notes: This is the only INSIGHT short that was put together from found footage, rather than filmed specially for the series. The lovely, colourful, joyous shots of Drag Queens United were taken at Amsterdam Pride in 2017.

 

 

 

The Dawn

Based on the poem Salutation to the Dawn by Kālidāsa(attributed) - India, c.400 CE

Watch here: https://inversefilm.uk/watch/the-dawn

 

Considered the greatest poet of ancient India, Kālidāsa is a founding figure of world literature. And yet, a lot of mystery surrounds Kālidāsa. Some scholars even question whether he was a real person, suggesting instead that his work a kind of collected greatest hits of the ancient Sanskrit world. And perhaps it's appropriate that such an inspiring poem was written by a semi-mythical figure. It sounds to me like a rallying cry for a better tomorrow. And who better to get that across than young street protestors?

 

 

Production Notes: ‘Bullet time’ is an effect that makes objects and people look like they are frozen in thin air. Creating true bullet time requires two things we did not have – time and money. So instead, Jack took a low-fi approach. Aside from a few simple computer-generated touches to enhance the overall effect, everything you see is done for real. The protestors are all professional dancers, who had the strength and balance necessary to be able to keep still for extended periods of time – often in difficult and uncomfortable poses.

 

ABOUT THE POEMS 

 

The five poems that the have been reimagined for a 21st century audience are: 

 

• The Flower Song  Anon. Egypt, c.1400 BCE. (Abridged).

• He Waters His Horse By A Breach in the Long WallAnon. China, c.120 BCE

• My Heart Flutters Hastily Anon. Mesopotamia, c.1500 BCE

• Take Care With How You Look from Ars Amarosa by Ovid. Italy, 1st Century CE.  (Abridged).

• Salutation to the Dawn by Kālidāsa (attributed) - India, c.400 CE

 

You can read all five poems on the inverse website here: https://inversefilm.uk/the-poems

 

PRESS ENQUIRIES 

 

For all press enquiries please contact:

Bei Guo at Midas on bei.guo@midaspr.co.uk or 07704501242

Tory Lyne Pirkis at Midas on  tory.lyne-pirkis@midaspr.co.uk or 07765503053. 

 

ABOUT JACK JEWERS 

 

Jack Jewers is a filmmaker and writer. Passionate about telling stories in all media, his body of work crosses film, TV, and digital. His short films and web series have been shown in and out of competition at dozens of film and web festivals, including Cannes, New York, Washington D.C., Marseille, Dublin, and London’s FrightFest.

 

In 2014 he developed and directed Night School, a web series based on the popular young adult novels of the same name. It quickly grew from a couple of low-budget short films to become one of the highest-profile British web series to date. Jack’s numerous short films as director include the critically-acclaimed Shalom Kabul, a dark comedy based on the true story of the last two Jews of Afghanistan. 

 

Jack has won several accolades for his film work, including an award from the Royal Television Society and a nomination for Best Short Film by BAFTA Wales. He has been invited to speak about his work at several major film and TV industry events, including Series Mania in Paris. Jack has also worked in advertising.

 

Through his production company, Queen Anne’s Revenge, Jack is currently in development on the fantasy TV series Whatever After, featuring Jessica Brown Findlay. He is also working on a small slate of feature film projects, including a thriller set in the international protest movement, entitled Generation Revolution. 

 

Away from the cinema in all its forms, Jack has a deep interest in literature and history. He writes historical fiction, and is the co-founder of the publishing company Moonflower Books. 

 

He lives near London with his wife, the author Christi Daugherty, a small menagerie of pets, and a friendly ghost. But that’s another story. 

 

Film Credits 

 

The Long Wall 

 

Poem: He Waters His Horse By A Breach in the Long Wall Anon. China, c.120 BCE

 

Directed, Produced & Edited by: JACK JEWERS

Director of Photography TOM BLOUNT

Narrator: SOPHIA ELENI

VFX: LUKE RUSHWORTH | BIG YELLOW FEET

Colourist: PAUL FALLON

Makeup Artist: EMILY COLLINS

Camera Assistant: EMILY TAIT

Production Assistants: JUSTINE DUHART | SIMON HALL

Music: ‘Homecoming’ by Peter Broderick & MachinefabriekPublished by Erased Tapes Music

©2021 Queen Anne’s Revenge Ltd.

 

Love Song 

 

Poem: The Flower Song Anon. Egypt, c.1400 BCE. (Abridged).

 

Directed, Produced & Edited by: JACK JEWERS

Director of Photography: TOM BLOUNT

Narrator: ADAM ROCHE

The Lovers: YASMINE ALICE | MARGARET DANE | JOSEPH SIMPSON-BUSHELL | NATASHA GREEN | ALFRED HOFFMAN & LEILA HOFFMAN | ASHLEY ROSE-KAPLAN | MARLON KAMEKA | ANA MCMORROW| TONY RICHARDSON

Colourist: PAUL FALLON

Camera Assistant: EMILY TAIT

Makeup Artist: EMILY COLLINS

Production Assistant: JUSTINE DUHART

Filmed at Mowlam Studios, Bethnal Green, London

©2021 Queen Anne’s Revenge Ltd.

 

My Heart

 

Directed, Produced & Edited by: JACK JEWERS

Actress: JOANNE CHEW

Music: “Flight As A Feather” by Simon Porter  Performed by the English Session Orchestra Published by Audio Network

©2021 Queen Anne’s Revenge Ltd.

 

Take Care

 

Narrated, Edited & Produced by: JACK JEWERS

Director of Photography: GUILLAUME VERSTEEG

Footage of ‘Drag Queens United’ at Pride Amsterdam © 2017 G3B Studios

Used by kind permission of G3B Studios and the Queens Themselves

Music: ‘Lightly Drift’ by Helen Jane Long Published by Audio Network

©2021 Queen Anne’s Revenge Ltd.

 

The Dawn

 

Poem: Salutation to the Dawn by Kālidāsa (attributed) - India, c.400 CE

 

Directed, Produced & Edited by: JACK JEWERS 

Director of Photography: TOM BLOUNT

Narrated by EMMA KNIEBE

The Protestors:   YASMIN COGAN DE ABREU | CELESTINA BANJO | WILLIAM JOHN BANKS

LEWIS CHANCE | MARIAH LEANNE COLLINS | JUSTINE DUHART | BLANCA NINWEN | JOE PARTRIDGE | JASMINE POOLE

VFX: LUKE RUSHWORTH | BIG YELLOW FEET

Colourist: PAUL FALLON

Makeup Artist: EMILY COLLINS

Camera Assistant: EMILY TAIT

Production Assistant: JUSTINE DUHART

Music: ‘Wake the Stars’ by Philip Guyler Published by Audio Network

©2021 Queen Anne’s Revenge Ltd.

Review: Born Digital by Robert Wigley

 This is the story of Generation Z, the so-called “Digital Natives” generation. They are the first to grow up with ‘smart’ technology (eg smartphones, wireless etc) and as such have experienced a life from birth that no previous generation has. This brings both blessings and huge potential problems. 

Having written this during the pandemic, Wigley - whose CV reads like a Who’s Who of top financial and business positions - synthesises mounds of research about how living in an increasingly digital world can affect us, but specifically the generation who grew up knowing nothing else. From how using social media literally rewires  our brains, to changing job markets, and what it means to live in an attention economy, Born Digital is a hugely important book to show us how the oligarchy of tech titans is impacting our world and how we need to be better informed to navigate it. 

The book covers a huge amount - how we learn, how we date, how we empathise (or don’t), how we work, and so much more. It’s a brilliant example for the “forewarned is forearmed” concept - we won’t be likely to change the digitisation of the age but we can learn how to take our power back and make this technology work for us, rather than be exploited by it for a company’s bottom line. 

I’d say this book is important for everyone to read, but particularly the people whose age range it explores. They are, the ones, who have never known life any other way and it’s important to know that social media in particular is designed to consume them.