inVERSE
poetry.reimagined
FIVE OF THE WORLDS OLDEST POEMS REIMAGINED FOR THE 21ST CENTURY
inversefilm.uk | @inversefilm | inversefilms
For yesterday is but a dream,
And tomorrow is only a vision.
But today, well lived, makes every yesterday a dream of happiness.
And every tomorrow
A vision of hope.
Salutation to the Dawn by Kālidāsa (attributed) - India, c.400 CE
Launching on World Poetry Day on 21st March 2021, inVERSEis a collection of five of the world’s oldest surviving poems re-imagined for the 21st century through the medium of film, by the award-winning film maker Jack Jewers.
Each film takes an ancient poem as a prism through which to explore the world today. With historical poems ranging from the 1st Century Italy to 1500 BCE Mesopotamia, these five shortfilms explore time and the human condition using the language of the ancients and the modern film making techniques of the 21st century. In celebration of humanity’s long relationship withpoetry on World Poetry Day, these five films are a reminder thatin these troubled modern times, poetry still has the ability tosooth and inspire.
Far from being dry, remote echoes of a long-gone age, each poem chosen for the collection feels like it could have been written yesterday. And why shouldn’t they? People are people. Our dreams are nothing new. Our ancestors had the same hopes and fears that we do. And if we can understand this, perhaps it helps to put some of the problems of our modern world into perspective.
The five films being released to mark World Poetry Day on Sunday 21st March are:
All five of the films are available free to watch via the inverse website inversefilm.uk.
ABOUT THE FILMS
Love Song
Based on the poem The Flower Song Anon. Egypt, c.1400 BCE. (Abridged).
Watch here: https://inversefilm.uk/watch/love-song
A timeless declaration of love and desire, this poem feels as fresh today as it did when it was written – a long, long time ago. The imagery is strikingly sensual; how the narrator describes the sound of their true love’s voice as being like the taste of sweet wine; or wishing they were her very her clothes, so that they could forever be close to her body. It’s passionate, erotic, and quite beautiful
Production Notes: None of the couples you see in the film had met before they came into the studio on the bright, spring day on which it was filmed – with one exception. The older couple are Alfred and Leila Hoffman, who were 92 and 83 at the time of filming, who have been together for over 60 years. The velvet-voiced narration is provided by Adam Roche, host of the Secret History of Hollywood podcast – required listening for all classic movie fans.
Long Wall
Based on the poem He Waters His Horse By A Breach in the Long Wall Anon. China, c.120 BCE
Watch here: https://inversefilm.uk/watch/long-wall
Jack Jewers says: The first time I read this anonymous poem – dating from the Han Dynasty in China, sometime around 120BCE – I was blown away by its age. How can a poem this rich and vivid be so old? The idea for this whole series of films grew from there. The poem conveys such poignant feelings of separation and loss that it seemed to be perfectly suited to a tale of refugees, far from home.
Production Notes: The refugee crisis is close to actress Sophia Eleni’s heart. Her mother fled the war in Cyprus in the mid-1970s, Most of the footage that ends the film was donated by the charity Refugee Rescue, who undertake tireless work saving desperate people at sea.
My Heart
Based on the poem My Heart Flutters Hastily Anon. Mesopotamia, c.1500 BCE
Watch here: https://inversefilm.uk/watch/my-heart
Originating from ancient Mesopotamia, “My Heart Flutters Hastily” is a delightful reminder that those giddy, dizzy feelings you can get when you really like somebody are nothing new. Whether it’s in a world of dating apps and socially-distancedlove, or from a time that feels unimaginably distant, people have been falling in love the same way forever.
Production Notes: inVERSE started life in a world before anyone had ever heard the word ‘Covid’ and lockdown was something to do with home security. So when the world ground to a half in the spring of 2020, Jack had to find alternative ways of finishing the project. Working with Los Angeles-based actress Joanne Chew, Jack devised a method of directing over Zoom while she recorded the takes on her phone, as selfies. The result is the lightest of the five films, and the sweetest.
The Look
Based on the poem Take Care With How You Look from Ars Amarosa by Ovid. Italy, 1st Century CE. (Abridged).
Watch here: https://inversefilm.uk/watch/the-look
The Romans knew how to have a good time. The Look is an abridged version of ‘Take Care With How You Look,’ a chapter from Ars Amarosa (“The Art of Love”), by the poet Ovid. Its themes of rejecting false nostalgia about the past, and embracing the richness of the modern age, sounded to me like a celebration of inclusivity and tolerance. Of course, Ovid was writing about a very different age to our own, but the message holds as true today as it always has been. And what more fabulous harbingers this message than Drag Queens United?
Production Notes: This is the only INSIGHT short that was put together from found footage, rather than filmed specially for the series. The lovely, colourful, joyous shots of Drag Queens United were taken at Amsterdam Pride in 2017.
The Dawn
Based on the poem Salutation to the Dawn by Kālidāsa(attributed) - India, c.400 CE
Watch here: https://inversefilm.uk/watch/the-dawn
Considered the greatest poet of ancient India, Kālidāsa is a founding figure of world literature. And yet, a lot of mystery surrounds Kālidāsa. Some scholars even question whether he was a real person, suggesting instead that his work a kind of collected greatest hits of the ancient Sanskrit world. And perhaps it's appropriate that such an inspiring poem was written by a semi-mythical figure. It sounds to me like a rallying cry for a better tomorrow. And who better to get that across than young street protestors?
Production Notes: ‘Bullet time’ is an effect that makes objects and people look like they are frozen in thin air. Creating true bullet time requires two things we did not have – time and money. So instead, Jack took a low-fi approach. Aside from a few simple computer-generated touches to enhance the overall effect, everything you see is done for real. The protestors are all professional dancers, who had the strength and balance necessary to be able to keep still for extended periods of time – often in difficult and uncomfortable poses.
ABOUT THE POEMS
The five poems that the have been reimagined for a 21st century audience are:
You can read all five poems on the inverse website here: https://inversefilm.uk/the-poems
PRESS ENQUIRIES
For all press enquiries please contact:
Bei Guo at Midas on bei.guo@midaspr.co.uk or 07704501242
Tory Lyne Pirkis at Midas on tory.lyne-pirkis@midaspr.co.uk or 07765503053.
ABOUT JACK JEWERS
In 2014 he developed and directed Night School, a web series based on the popular young adult novels of the same name. It quickly grew from a couple of low-budget short films to become one of the highest-profile British web series to date. Jack’s numerous short films as director include the critically-acclaimed Shalom Kabul, a dark comedy based on the true story of the last two Jews of Afghanistan.
Jack has won several accolades for his film work, including an award from the Royal Television Society and a nomination for Best Short Film by BAFTA Wales. He has been invited to speak about his work at several major film and TV industry events, including Series Mania in Paris. Jack has also worked in advertising.
Through his production company, Queen Anne’s Revenge, Jack is currently in development on the fantasy TV series Whatever After, featuring Jessica Brown Findlay. He is also working on a small slate of feature film projects, including a thriller set in the international protest movement, entitled Generation Revolution.
Away from the cinema in all its forms, Jack has a deep interest in literature and history. He writes historical fiction, and is the co-founder of the publishing company Moonflower Books.
He lives near London with his wife, the author Christi Daugherty, a small menagerie of pets, and a friendly ghost. But that’s another story.
Film Credits
The Long Wall
Poem: He Waters His Horse By A Breach in the Long Wall Anon. China, c.120 BCE
Directed, Produced & Edited by: JACK JEWERS
Director of Photography TOM BLOUNT
Narrator: SOPHIA ELENI
VFX: LUKE RUSHWORTH | BIG YELLOW FEET
Colourist: PAUL FALLON
Makeup Artist: EMILY COLLINS
Camera Assistant: EMILY TAIT
Production Assistants: JUSTINE DUHART | SIMON HALL
Music: ‘Homecoming’ by Peter Broderick & MachinefabriekPublished by Erased Tapes Music
©2021 Queen Anne’s Revenge Ltd.
Love Song
Poem: The Flower Song Anon. Egypt, c.1400 BCE. (Abridged).
Directed, Produced & Edited by: JACK JEWERS
Director of Photography: TOM BLOUNT
Narrator: ADAM ROCHE
The Lovers: YASMINE ALICE | MARGARET DANE | JOSEPH SIMPSON-BUSHELL | NATASHA GREEN | ALFRED HOFFMAN & LEILA HOFFMAN | ASHLEY ROSE-KAPLAN | MARLON KAMEKA | ANA MCMORROW| TONY RICHARDSON
Colourist: PAUL FALLON
Camera Assistant: EMILY TAIT
Makeup Artist: EMILY COLLINS
Production Assistant: JUSTINE DUHART
Filmed at Mowlam Studios, Bethnal Green, London
©2021 Queen Anne’s Revenge Ltd.
My Heart
Directed, Produced & Edited by: JACK JEWERS
Actress: JOANNE CHEW
Music: “Flight As A Feather” by Simon Porter Performed by the English Session Orchestra Published by Audio Network
©2021 Queen Anne’s Revenge Ltd.
Take Care
Narrated, Edited & Produced by: JACK JEWERS
Director of Photography: GUILLAUME VERSTEEG
Footage of ‘Drag Queens United’ at Pride Amsterdam © 2017 G3B Studios
Used by kind permission of G3B Studios and the Queens Themselves
Music: ‘Lightly Drift’ by Helen Jane Long Published by Audio Network
©2021 Queen Anne’s Revenge Ltd.
The Dawn
Poem: Salutation to the Dawn by Kālidāsa (attributed) - India, c.400 CE
Directed, Produced & Edited by: JACK JEWERS
Director of Photography: TOM BLOUNT
Narrated by EMMA KNIEBE
The Protestors: YASMIN COGAN DE ABREU | CELESTINA BANJO | WILLIAM JOHN BANKS
LEWIS CHANCE | MARIAH LEANNE COLLINS | JUSTINE DUHART | BLANCA NINWEN | JOE PARTRIDGE | JASMINE POOLE
VFX: LUKE RUSHWORTH | BIG YELLOW FEET
Colourist: PAUL FALLON
Makeup Artist: EMILY COLLINS
Camera Assistant: EMILY TAIT
Production Assistant: JUSTINE DUHART
Music: ‘Wake the Stars’ by Philip Guyler Published by Audio Network
©2021 Queen Anne’s Revenge Ltd.
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